Why Aren't There High-Quality Films About Native American Atrocities Like Slave Movies?

The question of why there aren't more high-quality films about Native American atrocities, particularly those paralleling the portrayal of slavery in cinema, is a complex and multifaceted issue that intersects with historical representation, cultural sensitivity, and financial incentives. While many notable films exist, the industry has not yet fully captured the depth and gravity of these events in a manner similar to contemporary cinematic depictions of slavery.

Emergence of Native-Created Content

There is, however, a growing trend of films and documentaries directed by and featuring Native individuals. For instance, several prominent Native filmmakers from Canada are receiving financial support through their national film boards, enabling them to explore their cultural heritage with authenticity and creativity. These films often focus on contemporary issues, rather than historical atrocities, although there are notable exceptions. One such example is the critically acclaimed film 'Atanarjuat - The Fast Runner' (2001), which, although made by Indigenous filmmakers, is more focused on traditional storytelling and cultural practices.

Illustrative Examples

Consider the film 'Black Robe' (1991), directed by Bruce Beresford and featuring Indigenous actors. This project, though not Native-made, incorporates genuine Indigenous languages and traditions. The film delves into the complexities of cultural and religious conflicts during the early European settlement period, with an unbiased portrayal of both European and Indigenous perspectives. 'Black Robe' showcases the impact of disease, such as smallpox, and the ensuing destruction of Indigenous communities, presenting a more nuanced view than the romanticized portrayals seen in the film 'Dances with Wolves' (1990).

Current Trends in Native American Films

Despite the paucity of films directly addressing Native atrocities, there have been recent developments in Native American film production. Universities and cultural organizations are compiling comprehensive lists of Native American feature films, including those made by Indigenous directors. For instance, the University of Michigan has an extensive list of Native American feature films, which highlights both poor quality content and high-quality productions. Some noteworthy films from this period include:

These lists feature films that delve into both historical and contemporary issues relevant to Native American culture and heritage. By exploring these resources, viewers can gain a deeper understanding of the Indigenous experiences and the challenges faced by these communities.

Conclusion and Future Perspectives

The lack of high-quality films about Native American atrocities in comparison to the broader and more acclaimed portrayals of slave narratives is a significant gap in American cinema. While there is progress in the form of Indigenous-led films, more efforts are needed to fill this gap through increased funding, support, and platform visibility. The future of Native American cinema holds promise, with current trends indicating a growing interest in these important stories.