Whose Stature Rises in the Second Act of 'The Crucible'?

In Arthur Miller's renowned play, 'The Crucible,' the dynamics and statures of the characters evolve significantly. A pivotal point in the narrative is the transformation from the conflict-laden first act to the accusatory and chaotic second act. This essay delves into how the stature of key characters changes, leveraging the term 'stature' in the context of their influence, standing, and relevance within the narrative.

Step 1: Read the Play

Reading 'The Crucible' is not just about understanding the storyline; it is about immersing yourself in the psychological and emotional landscapes of the characters. This foundational step is crucial for identifying changes in their 'stature.' Arthur Miller employs rich language and intricate character dynamics to create a compelling and historically rooted drama.

Step 2: Compare the Stature of Each Significant Character in Act 1 and Act 2

The term 'stature' in this context refers to the social and moral authority, influence, and impact of the characters. A character's stature is not merely a physical attribute but a reflection of their actions, beliefs, and the consequences of those actions throughout the narrative.

Reverend Parris

Reverend Parris begins the play as a character heavily focused on his own survival and the prosperity of his reputation and wealth. In Act 1, his stature is mainly centered on his financial and social standing as the minister of Salem. By Act 2, however, his stature shifts. The accusations against his niece and the pressure from the community force him to align more closely with the witch hunt, thereby solidifying his position in the dialogue, even if it is tainted by his initial selfishness. As Reverend Parris becomes more entangled in the accusations, his stature grows in terms of the power and influence he has over the community.

Abigail Williams

Abigail Williams enters the play as a character with a mysterious past and a present full of deceit and manipulation. In Act 1, her stature is that of a catalyst, igniting the fear and hysteria within the community. However, by Act 2, she transforms into the figure whose actions and lies fuel the escalating witch hunt. Her stature grows as she refines and perpetuates the lies, forcing others into false confessions and devastation. Abigail's rising stature is a testament to her cunning and deceitful nature, making her a powerful and feared figure in the second act.

Sarah Good and Tituba

Sarah Good and Tituba's stature in the first act is minimal. They are background figures, their lives unremarkable and marginalized. By Act 2, however, their stature is dramatically altered. They are no longer merely inconsequential characters—they are key figures in the accusations and accusations against them intensify. Sarah Good and Tituba's rising stature in the second act reflect the shifting dynamics of the narrative, where they become central to the witchcraft accusations, thus highlighting the deterioration of social norms and the chaos that ensues.

It is through the lens of such transformations that we can better understand the broader themes of 'The Crucible.' The rise in the 'stature' of these characters serves as a microcosm for the societal and moral breakdown of Salem during the witch trials. Through character development, Miller explores the consequences of fear, the power of misinformation, and the devastating effects of communal hysteria.

Step 3: Write Out Your Discoveries in Time to Hand Them Into Your Teacher

By comparing the stature of key characters in 'The Crucible,' including Reverend Parris, Abigail Williams, and Sarah Good and Tituba, one can observe a significant shift in their influence and standing. These changes are not just physical but reflect deeper shifts in their roles and the impact of their actions. Reflecting on these transformations will provide a richer understanding of the play and its underlying themes.

Keywords

The Crucible, Arthur Miller, Stature, Character Development, Salem Witch Trials