The Musical Motif from Close Encounters of the Third Kind: Notes and Analysis

The iconic Close Encounters of the Third Kind film features a memorable musical motif composed by John Williams. This piece has not only cemented its place in film music history but also in popular culture. The motif is a simple sequence of five notes: C, D, E, G, and B. This article delves into the notes of this musical motif and their significance in the film.

Understanding the Motif

The Close Encounters of the Third Kind musical motif is a five-note sequence: C, D, E, G, and B. These notes form a distinctive and recognizable motif that appears throughout the film. Let's break down the intervals between these notes:

- C to D: Major second

- D to E: Major second

- E to G: Minor third

- G to B: Minor sixth

These intervals create a harmonious and slightly unsettling sound that perfectly captures the otherworldly and enigmatic atmosphere of the film.

Usage in the Film

The motif is used throughout the film as a means of communication with the extraterrestrial beings. It serves as a central theme and is often heard during key scenes, such as when the scientists are trying to attract the attention of the spaceships or when the visitors arrive at Devils Tower.

Attracting Attention

Before the spaceships' arrival at Devils Tower, the scientists play the notes G, A, F (an octave lower), F, and C. These notes serve as a call to the extraterrestrial beings. When the spaceships arrive, the notes B flat, C, A flat (an octave lower), A flat, and E flat are played as a form of communication. These variations of the motif are crucial in establishing the connection between the human characters and the extraterrestrial visitors.

Playing the Motif on Guitar

The motif can be played on guitar using the following notes and fret positions:

G: 12th fret on the 3rd string D: 15th fret on the 2nd string A: 14th fret on the 3rd string and 12th fret on the 5th string E: 14th fret on the 4th string

These simple notes and their fret positions make the motif accessible to guitarists of all skill levels. Playing this motif creates a powerful and memorable sound that enhances the emotional impact of the scenes in which it appears.

Conclusion

The musical motif from Close Encounters of the Third Kind is not just a collection of notes; it is a symbol of communication and connection. The five-note sequence C, D, E, G, and B, with its unique intervals, has become a staple in film and music history. Understanding and playing this motif can deepen your appreciation of the film and its otherworldly themes. Whether you are a fan of the movie or a student of film music, the study of this motif is an enriching experience.