The Mocking of Bahubali in Pakistan: Jealousy or Political Rivalry?

India’s blockbuster hit, Bahubali, has created a fever across the subcontinent with its stunning visuals, epic storyline, and remarkable success worldwide. However, the response from the Pakistani media has been notably different, and mocking the movie has become a prevailing trend. This article delves into the reasons behind this mockery, exploring factors such as economic disparities, political rivalries, and the role of media in shaping public opinion.

Why is Pakistani Media Mocking Bahubali?

The Pakistani film industry, worth approximately Rs. 192 crore annually, pales in comparison to the chart-topping revenue of Bahubali movies. As the movie has set new records, including being the highest-grossing Bollywood film, it is natural for the Pakistani media to express their jealousy. Moreover, the banning of Bahubali in Pakistan adds another layer of complexity to the narrative.

Jealousy Overshadows Artistic Merit

The success of Bahubali goes beyond the box office. It is deemed as an example of a flawless epic that can compete even with Hollywood. However, the Pakistani film industry is hampered by economic limitations, lacking the resources to produce such high-quality content. This inevitably leads to a sense of inadequacy and a focus on mocking rather than artistic evolution.

Political Rivalries and Media Manipulation

The media in Pakistan often plays a role in exacerbating political rivalries, a factor that transcends entertainment. The banning of Bahubali can be seen as a political maneuver, aimed at highlighting India’s dominance and sowing discontent among the Pakistani populace. Add to this the mocking of Indian achievements, and the situation becomes a melange of insecurity, pride, and political posturing.

What Drives the Mockery?

Mocking can be a subconscious mechanism, serving to boost self-esteem when confronted with superior achievements. The Pakistani media's mockery of Bahubali could be an attempt to reduce feelings of inferiority, much like a person who makes fun of their friend's attire when they look better. This also reflects the broader tension between the two nations, which is often pushed by media narratives.

Conclusion

The case of Bahubali in Pakistan raises questions not just about the quality of the film but also about the underlying social, economic, and political dynamics. While the mockery may be driven by jealousy and political posturing, it also serves to highlight the precarious relationship between the two nations. The true hope lies in the possibility of a shared cultural dialogue, where achievements from both sides are celebrated rather than criticized or banned.