The Interval in Indian Cinema: A Reliable Break or a Structural Hindrance?

The interval, or intermission, in Indian films has been a long-standing tradition, rooted in practicalities of film projection but now often seen as a curious structural element. Some filmmakers and critics view it as a necessary break, while others see it as an unwelcome interruption in the storytelling process. This article explores the role of the interval in Indian cinema and its impact on the storytelling and audience experience.

The Evolution of the Interval

Origins of the interval can be traced back to the days when films were shown on film reels. Projectionists needed time to change reels, and this interval provided a natural break. However, in the digital age, this physical necessity no longer exists as films are screened via satellite. Yet, the tradition of intervals endures.

The Revenue and Physical Breaks

The interval is not merely a traditional holdover but a strategic element that filmmakers and cinema owners use to their advantage. Firstly, the interval provides a reliable revenue stream through snack sales. The mass reluctance to abolish these intervals indicates their importance in the business model.

Secondly, Indian films are typically longer than films from other parts of the world, making the interval a valuable tool for pacing. The interval not only offers the audience a physical break but also serves as a cliffhanger, keeping them engaged through the second half of the film.

The Filmmaking Process: Structure and Conflict

While Hollywood films are structured with a clear three-act format, Indian cinema, or Bollywood, follows a different path. In Bollywood, the first half of the film introduces the characters, plot, and conflict. The interval then acts as a crucial pause, allowing viewers to process the first half before delving into the second half, which resolves the conflict.

Not all films manage to make the most of this pause. Some filmmakers have to alter their second acts to create anticipation and maintain viewer interest. This is more challenging than in Hollywood, where there is no built-in break. The reliance on the interval can sometimes result in plot interruptions or disconnections, as filmmakers struggle to create a natural second half.

Case Study: Dhobi Ghat

The landmark film Dhobi Ghat marked a significant departure from tradition by eliminating the interval. However, many movie theaters adopted the same practices as they did for English-language films, halting the projection halfway through the film and resuming it after a 15-minute break. This case study highlights the persistence of interval breaks despite attempts to simplify the narrative structure.

In conclusion, the interval in Indian cinema is a complex element, serving both practical and narrative purposes. While it offers physical comfort and boosts revenue, it also poses challenges for filmmakers in maintaining a seamless narrative. The continued existence of intervals in Indian cinema reflects a balance between tradition and modern storytelling techniques.