The Evolution of Multiple Aspect Ratio Shooting in Film

The trend of shooting movies in multiple aspect ratios to accommodate both theatrical releases and home video formats gained significant momentum in the late 1980s and early 1990s. This innovative approach addressed the increasing demand for home video and the need to ensure films could be enjoyed both on the big screen and on television.

The Concept of Multiple Aspect Ratios

The use of multiple aspect ratios began with the recognition that theatrical releases commonly use a wider format, such as 2.35:1, which offers a more immersive visual experience. However, the 4:3 format was still prevalent for home video releases, particularly for television broadcasts. Filmmakers had to develop strategies to optimize the viewing experience across these two distinct formats without resorting to the unattractive and cropped pan/scan technique.

Key Developments in Multiple Aspect Ratio Shooting

One of the crucial advancements in this area was the introduction of Super 35 technology. With Super 35, filmmakers could shoot in a wider frame, usually exceeding the standard 2.35:1, and then mask the film to fit both 2.35:1 and 4:3 ratios. This allowed for a seamless viewing experience on both theatrical and home video platforms.

By the early 2000s, many films were specifically designed with this dual aspect ratio consideration. As DVD became the dominant home video format, filmmakers sought to maximize the quality and experience of their work across different viewing platforms. Notable examples include Terminator 2: Judgment Day (1991) and Baby Driver (2017).

Cameron’s Innovations with Super 35

James Cameron, in particular, is often cited as one of the pioneers of shooting in multiple aspect ratios. In the behind-the-scenes footage of Terminator 2: Judgment Day, Cameron discusses his use of Super 35, which allowed him to see the intended visual impact of the film in both 4:3 and 2.35:1 aspect ratios during production. This unique approach not only ensured visual consistency but also provided a richer viewing experience for audiences.

Cameron’s pride in this innovation was evident in his commentary, as he highlighted the benefits of this technology. It is worth noting that the 4:3 cut of the film actually contains more visual information than the widescreen cut, a fact that is unusual and speaks to the superior quality of the original Super 35 footage.

Conclusion

While multiple aspect ratio shooting was not a novel concept in the 1980s, it gained substantial traction in the 1990s due to the rise of home video technology. Filmmakers like James Cameron played a significant role in popularizing this technique, ensuring that the cinematic experience remained unified and high-quality across different platforms.

For more insight into the evolution of film production, explore the use of Super 35 in modern filmmaking and its impact on the industry.