The Case for the Absence of Thematic Borrowing in 'Parasite' and 'Shoplifters'

In the world of cinema, debates surrounding originality and thematic borrowing are nothing new. A recent discussion has arisen regarding the Korean film 'Parasite' and its alleged similarities to the Japanese film 'Shoplifters,' both critically acclaimed and award-winning works. This analysis will explore the evidence in favor of the absence of thematic borrowing, highlighting the unique narratives and artistic choices that distinguish these two films.

Introduction to 'Parasite' and 'Shoplifters'

'Parasite,' directed by Bong Joon-ho, was both a cultural and commercial sensation, garnering numerous international awards, including the Palme d'Or at the Cannes Film Festival and an Academy Award for Best Picture. The film delves into the class divide within South Korea, effectively using dark humor and suspense to critique the societal structures.

'Shoplifters,' directed by Hirokazu Kore-eda, similarly addresses themes of poverty and social inequality in Japan. It won the Golden Bear at the Berlin International Film Festival and gained widespread recognition for its humane and intimate portrayal of a dysfunctional family living on the margins of society.

Concurrent Reflections on Poorest Circumstances

While it is undeniable that both films feature characters living in the poorest circumstances, engaging in unconventional and sometimes criminal activities, this observation alone does not imply thematic borrowing or similarity in storyline. Both films utilize this setting to explore broader themes of human interconnectedness and the fragility of societal constructs. However, the context and execution of these storylines differ significantly.

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In 'Shoplifters,' the focus is on the intimate relationships and struggles within a family struggling to survive on the urban streets. Hirokazu Kore-eda explores the family dynamics, highlighting the love and support they provide each other despite their struggle. The film emphasizes the emotional bond that exists beyond material wealth, influencing the characters' actions and decisions.

Signatures in 'Parasite'

In contrast, 'Parasite' introduces a more complex narrative structure. The film intertwines the lives of the wealthy Park family with the poor Kim family, serving as a social satire. The Kam family's clever and deceitful actions underscore their efforts to climb the social ladder, while the Parks symbolize the rigid and segmented society that perpetuates class barriers. Bong Joon-ho employs a uniquely satirical approach, often using humor to counterbalance the tense and dramatic moments, creating a distinct parallel between the surface prosperity of the Parks and the desperate striving of the Kims.

Thematic Distinctions: Painting a Broader Picture

The thematic distinctions between 'Parasite' and 'Shoplifters' become evident upon closer inspection. While both films touch on poverty and social inequality, 'Parasite' takes a more pointedly satirical and broader socioeconomic critique, encompassing the entire social strata. The film's humor serves as a double-edged sword, both entertaining and satirical, drawing attention to the contradictions and hypocrisies within modern society. In 'Shoplifters,' the focus is more on the human condition and familial love, irrespective of the means. The film delves into the complexities of human relationships, the lengths families go to support each other, and the challenges faced by those living at the margins.

Character Development and Motivations

Character development also sets the two films apart. In 'Parasite,' the motivations of the Kims are primarily driven by the pursuit of upward mobility and better living conditions. Their actions are a result of their dire financial situation and a desire to break free from their socioeconomic status. On the other hand, the characters in 'Shoplifters' are more complex, driven by a mix of survival, familial bonds, and a sense of social justice, even in their thievery.

Conclusion: An Independent Exploration of Poverty

The similarities in setting and the criminal activities of the characters are not an indication of thematic borrowing or similarity in storytelling. Both 'Parasite' and 'Shoplifters' use the backdrop of poverty to explore distinct, independent narratives. While 'Shoplifters' emphasizes personal and familial bonds, 'Parasite' takes a more satirical and interclass approach. Each film offers unique perspectives and artistic choices that resonate with their respective audiences and cultural contexts.

In conclusion, the thematic distinction in 'Parasite' and 'Shoplifters' highlights the unique contributions of both films to the exploration of poverty and social inequality, showcasing the power of different narrative techniques and storytelling methods in portraying human experiences.