FilmFunhouse

Location:HOME > Film > content

Film

Rian Johnsons Tilt Towards Telling Over Showing: An In-Depth Analysis

February 20, 2025Film2467
Rian Johnsons Tilt Towards Telling Over Showing: An In-Depth Analysis

Rian Johnson's Tilt Towards Telling Over Showing: An In-Depth Analysis

Recent debates over Rian Johnson's direction in the Star Wars prequel trilogy, especially his adaptation of The Rise of Skywalker, have centered around whether he relied more on telling or showing. The discourse has been fueled by critical voices who believe he overemphasized narrative exposition at the expense of immersive, action-centric storytelling.

The Argument Against Telling

One camp argues that Johnson's reliance on telling over showing led to a narrative that, while informative, detracted from the immersive and exciting elements of the Star Wars universe. This is evident in several aspects of the film.

Light Saber Battles and Armor Blueprint

One of the main criticisms centers around the inconsistency in the portrayal of light sabers. The lightsaber battles, which are a cornerstone of the Star Wars franchise, were often inconsistent in terms of their lethality. Some scenes depicted lightsabers slicing through rock effortlessly, while in others, they barely left a scratch. There were also issues with the armor worn by Snoke's guards, which was inconsistently durable against lightsaber strikes.

To further dissect this, it's worth noting that the vulnerability of a character's face to a lightsaber attack was particularly jarring, given that this should be one of the most protected areas. This inconsistency in accordance with the established lore of the Star Wars universe undermines the believability of the narrative.

Film Structure and Pacing Issues

The pacing and structure of scenes, particularly action sequences, have also been scrutinized. The opening action sequence, lasting less than 30 minutes, was criticized for adding little to the overall narrative, potentially detracting from the viewer's experience.

Additionally, the inclusion of a slow-speed chase scene was highlighted as one of the worst in film history. Such a scene serves little purpose other than to slow down the momentum and reduce the excitement, often seen as a more thoughtful director would avoid these elements.

The Counter Argument: A Balance Between Telling and Showing

While the above critique presents a compelling case, another perspective contends that a balance between telling and showing is crucial for effective storytelling. According to this viewpoint, Rian Johnson achieved a well-balanced approach that served the broader narrative goals.

Better Use of Backstory and Underlining Characters

One of the key strengths of Johnson's approach was his judicious use of backstory. While some may argue this leads to overexplanation, a well-crafted backstory can enrich the narrative and provide key insights into character motivations without bogging down the narrative with unnecessary details.

For instance, the character development of Kylo Ren and Rey was portrayed through various angles, allowing viewers to explore multiple dimensions of these characters' motivations and journeys. This approach, while not as visually spectacle-driven as some may prefer, offers a deeper, more nuanced understanding of the characters.

Imagination and Suspension of Disbelief

Another strong point in Johnson's favor is his ability to engage the viewer's imagination. Contrary to the notion that too much backstory can detract from the experience, the right amount of backstory can enhance the story's appeal. Rogers underscored the importance of leaving room for the audience to engage with the story and characters, rather than being spoon-fed all the information.

Moreover, Johnson ensured that the essential plot points and character arcs were clearly communicated, allowing viewers to follow the narrative despite the lack of comprehensive background information on some characters, much like the original audience for the Star Wars prequels.

Conclusion and Future Possibilities

In conclusion, while there is valid criticism of Rian Johnson's reliance on telling rather than showing, it is clear that his approach often struck a balance that was sufficient for the story's progression. The movie's conclusion left audiences with an open-ended, intriguing narrative that invites further exploration and imagination.

Future installments in the Star Wars saga will likely build upon this foundation, striving to strike a similar balance between narrative exposition and immersive storytelling. The character of Ben Solo's descent into madness remains an enticing avenue for exploration, highlighting the narrative potential for more character-driven storytelling.

As the Star Wars universe continues to evolve, the debate over telling vs. showing will undoubtedly continue, but it is Rian Johnson's approach that has provided much to discuss and contemplate.

Key Takeaways

Johnson's reliance on telling led to criticisms of inconsistency and pacing issues. A judicious balance between telling and showing is crucial for effective storytelling. Imagination and leaving room for the audience to engage are as important as visual spectacle.

For fans and critics alike, the debate surrounding Rian Johnson's approach to Star Wars offers insights into the art of filmmaking and the challenges of narrative exposition in a highly-observed franchise.