Monty Python's Flying Circus and Blackadder: A Deep Dive into Their Legacy in the UK Television

When it comes to the status of Monty Python's Flying Circus and Blackadder in the UK, a prevailing question often arises: are these iconic series "cancelled"? In reality, the concept of cancellation in British television works differently than in the United States. This article aims to clarify the nature of these shows and debunk the myth of cancellation.

Understanding Cancellation in British Television

The main difference between "finished the story and thus there will be no more episodes" and "cancelled because it got to some magical 'not sufficiently profitable' point" is stark. In the UK, there's no such thing as a "cancellation" in prime-time television scripted shows. Instead, what happens is that television broadcasters purchase a certain number of episodes as a "series." These series represent the only guarantee for production, and once they are broadcast, that is all anyone expects.

Monty Python's Flying Circus: A Case Study in Light Entertainment

Monty Python's Flying Circus, a classic example of light entertainment, received an initial order of 15 shows. As the show gained popularity, it was given the permission for two more series, totaling 45 episodes. Due to its light entertainment nature, the creators, the Monty Python team, were allowed to write the series on the fly. This unique production method allowed for a manic energy that characterized the show, much like in other renowned works such as The Goon Show and That Was the Week That Was. The Pythons were well-versed in this type of schedule and adapted seamlessly to it.

Given the nature of Monty Python's Flying Circus, it was a highly flexible and experimental show. Due to its "light entertainment" classification, it was produced in smaller batches, and the creators got the freedom to produce content without the strictures of a predefined script.

Blackadder: A Structured Sitcom

In contrast, Blackadder followed a more structured approach. As a scripted situation comedy, the creators had to come up with a set of six scripts for each series before any shooting could commence. The Monty Python team was composed of both writers and performers, which meant they were compensated based on the amount of material they generated. However, Blackadder featured separate writers and performers, which introduced a different dynamic. Scriptwriters were guaranteed payments regardless of whether the show was produced, ensuring a steady income. Similarly, the actors were hired for a fixed number of episodes, providing financial security even if the show didn't proceed as planned.

Production Differences: US vs. UK

Another significant difference lies in the production schedules. In the US, typical production follows a parallel process: writers produce scripts, and the shooting schedule follows that with one episode a week. In the UK, the process is often much more leisurely, allowing for a more flexible and organic approach to production.

For instance, Blackadder made four series, which were produced on an irregular schedule based on the availability of talent. This led to a tight-knit production team and consistent cast, creating a unique and cohesive experience. Furthermore, Blackadder did a couple of one-hour specials, reinforcing the already established production team and cast.

Conclusion

Monty Python's Flying Circus and Blackadder remain beloved and impactful shows in the UK. They were not cancelled but operated within the unique framework of British television. Their flexibility, combined with the rigorous planning in Blackadder, provides a fascinating look into how two iconic shows managed to captivate audiences.

Whether it's the flying circus or the monarchial mockery, these shows continue to engage and inspire, showcasing the strength of British comedy and storytelling.