Why Do News Programs in Japan Often Use Handmade Props Instead of CGI?

Japanese news programs have a unique approach to visual storytelling that has gained recognition for its simplicity and effectiveness. Two prominent shows are known for their craft: a weekend news compilation show and an afternoon news and gossip show. Both these programs rely on traditional methods of visual assistance, but they each have their own unique twist on using handmade props instead of computer-generated imagery (CGI).

Handmade Movable Displays: The Kamishibai Technique

One standout feature of the weekend news compilation is the handmade movable display created by a regular team member. This playful and engaging technique, known as Kamishibai, is a traditional Japanese storytelling method that dates back to the 1930s. Kamishibai involves hand-drawn pictures used to tell stories, particularly to entertain children. The storyteller would use a series of illustrated cards to accompany the narrative, enhancing the storytelling experience.

During these stories, the storyteller would often sell children candy as a reward for their attention. This charming method has been adopted by news programs to make complex points more accessible to viewers. In the context of news, the storyteller might use these pictures to explain intricate concepts or highlight specific points, making the report more engaging and easier to understand.

Ancient Storytelling Meets Modern Television

The second show, an afternoon news and gossip program, also utilizes handmade props, albeit with a slightly different twist. Instead of full displays, they create printed posters and use them to feature key points of the story. However, a crucial part of the poster is concealed behind a piece of paper, akin to a magician's show. As the story progresses, the newscaster reveals this hidden section, teasing the audience and maintaining their interest.

This technique harks back to the traditional Japanese storytelling method, where the storyteller would slowly reveal information, adding suspense and intrigue to the narrative. By covering parts of the poster, the program keeps the audience guessing and excited, ensuring that viewers remain engaged throughout the segment.

Cost and Speed Advantages

The use of handmade props, such as Kamishibai and the partial posters, offers several advantages for the news programs. Firstly, they are cost-effective. Props can be made quickly and require minimal budget, typically only a few thousand yen. This is in stark contrast to the significant financial and time investments required for CGI design and programming, which can be costly and time-consuming.

Secondly, handmade props are easy to produce and manipulate, allowing news anchors to quickly set up and reconfigure displays without extensive technical support. This flexibility is invaluable, especially during live broadcasts or when dealing with last-minute changes. The ease and speed of production also set Japanese news programs apart from their American counterparts, where large budgets and highly trained staff are often required.

No Political Agenda Through Handmade Props

Unlike American network news programs, which often operate under the influence of political groups and their allies, Japanese news programs generally lack significant financial backing from politicians or their friends. This means they have fewer resources to allocate to elaborate CGI productions. Consequently, the use of handmade props aligns more closely with the goal of sharing actual news rather than pushing a political agenda.

By focusing on straightforward and cost-effective techniques, these news programs can maintain a level of objectivity that is highly valued by the public. The use of handmade props is not just a cultural tradition; it is a strategic choice that helps these programs remain transparent and trustworthy.

Conclusion

The revival of Kamishibai and the creative use of handmade props in Japanese news programs demonstrate a deep-rooted cultural heritage mixed with modern adaptations. These techniques not only enhance the viewing experience but also offer a stark contrast to the more elaborate and potentially manipulative visuals seen in other news formats. In an era where visual storytelling is increasingly dominated by CGI, the simplicity and authenticity of handmade props continue to captivate audiences and stand as a testament to traditional Japanese storytelling.

As these programs continue to evolve, it will be interesting to see how they incorporate new technologies while still maintaining their unique traditions. Whether through Kamishibai or partially concealed posters, the hands-on approach to visual storytelling ensures that the core elements of classic Japanese storytelling remain alive and well in today's news landscape.