What is Daniel Day-Lewis’ Acting Called?

When discussing actors, Daniel Day-Lewis stands out as a master of his craft. Although he is classically trained, his approach to acting is anything but traditional. He has adapted and pushed the boundaries of acting techniques, making his style uniquely his own. Within this article, we will explore the nature of Daniel Day-Lewis' acting, contrasting it with method acting, and how he individually brings depth and complexity to each role he plays.

Classical Training with a Modern Twist

Long before he became a household name, Daniel Day-Lewis honed his craft at the Bristol Old Vic Theatre School, a renowned institution in the theater world. Here, he attended alongside fellow actor and peer Miranda Richardson in the late 1970s. The school, established on the principles of classical acting, provided him with a strong foundation in the traditions of British theatre. However, Day-Lewis has since branched out, utilizing elements of method acting, an approach more common in American theatre, to enhance and transform his performances.

Understanding Method Acting

Method acting, a technique invented by the influential Russian director Konstantin Stanislavski, encourages actors to draw from their own emotions and experiences to portray a character authentically. This process often involves ‘becoming’ the character deeply, which can mean leaving the stage or film set to live as the character in real life. However, while Daniel Day-Lewis may use similar techniques, his approach goes far beyond the traditional method acting.

The Limits of Method Acting

Many people mistakenly believe that Daniel Day-Lewis is a 'method actor.' However, this is a common misconception. True method acting, as practiced by actors like Marlon Brando and James Dean, involves a deep emotional and psychological fusion with the character. In contrast, Day-Lewis takes the method acting approach to an extreme, but instead of focusing on being the character, he 'becomes' the character. This means physically and emotionally embodying the character to a degree that largely extends off the set or stage.

Case Studies in Depth

Several films stand out as stark examples of Day-LLewis' unique acting techniques. Films like There Will Be Blood (2007), In the Name of the Father (1993), and My Left Foot (1989) showcase the extreme dedication he brings to his craft. Each role required a complete transformation, requiring not just emotional but also physical changes to convincingly portray the character. His attention to detail is legendary, from the way he speaks in every film, to the way he carries himself and his body.

Phantom Thread: An Embodiment of the Extreme

In recent years, Day-Lewis pushed the limits even further with his role in Phantom Thread (2017). His portrayal of Reynolds Woodcock, the eccentric and artistic dressmaker, demanded a level of emotional and physical transformation that was both exhausting and exhilarating. He reportedly spent months getting into shape to play the character, and his commitment to the role was evident in every scene.

Legacy and Impact

Day-Lewis' acting technique has not only influenced his own career but has also influenced the way we think about acting. His insistence on fully embodying a character, rather than just portraying it, has set a new standard for performers. His use of method acting is a testament to the power of putting oneself completely into a role, and his legacy will continue to inspire actors for years to come.

From There Will Be Blood to Phantom Thread, Daniel Day-Lewis has shown us what it means to truly become a character. His dedication to the craft is unparalleled, and his unique approach to acting will always be remembered and studied.