Comparing “The Deer Hunter” and “Coming Home”: Which Vietnam War Saga Triumphs?

In the annals of American cinema, the Vietnam War saga has left an indelible mark through numerous films that capture the essence of one of the most impactful periods in recent American history. Among them, The Deer Hunter and Coming Home stand out as among the most influential. Both films tackle the same subject matter but offer distinct perspectives on the war and its aftermath. Which one truly shines in the annals of American cinema? Let's explore both films and what sets them apart.

The Deerhunter: Over-the-Top and Iconic

The Deer Hunter (1978) directed by Michael Cimino is notable for its raw, sometimes over-the-top, yet unforgettable imagery that captures the brutality and intensity of the Vietnam War. The film tells the story of a group of close friends who serve together in the war. As they endure the harrowing realities of combat, their personal lives and relationships are forever altered. The film's scenes of mining and pitting (though these sequences have faced criticism for their graphic nature) leave a lasting impression on viewers.

Coming Home: A Tale of Tragedy

In stark contrast, Coming Home (1978), directed by Hal Ashby, offers a more sober and personal look at the war's impact. Set against the backdrop of post-war America, the film centers around a military veteran, Luke Taylor (played by Jon Voight), and his experiences with PTSD (Post-Traumatic Stress Disorder) and relationship challenges with his wife, Jamie (Jane Fonda). The film delves deep into the emotional and psychological impact of the war on both the soldiers and their loved ones.

Cinematic Techniques and Emotional Impact

The Deer Hunter is celebrated for its cinematic techniques, especially its powerful opening sequence that blends the serene, natural beauty of hunting in Mariupol with the rigors of war. This sequence sets a potent and moody tone for the rest of the film, juxtaposing peace and violence. The film's use of music, particularly Vangelis' iconic score, adds to its emotional resonance, underscoring the intensity and psychological weight of the characters' experiences.

Coming Home, on the other hand, focuses more on character development and emotional depth. The film's pacing is deliberate and thoughtful, building an intimate and realistic relationship between the main characters. Jane Fonda's portrayal of Jamie, a wife trying to understand and support a husband grappling with the invisible wounds of war, is particularly moving. The film's exploration of the struggles faced by veterans, both literal physical and metaphorical battle scars, resonates deeply with audiences.

Conclusion: A Matter of Personal Preference

When it comes to which film triumphs, the answer ultimately depends on personal preference. The Deer Hunter is a cinematic masterpiece that showcases the raw power and scope of filmmaking. Its vivid imagery and powerful storytelling have made it a classic in the genre. On the other hand, Coming Home, with its nuanced character arcs and poignant exploration of the emotional aftermath of war, offers a more relatable and soulful journey.

Both films offer valuable insights into the complexities of the Vietnam War and its impact on individuals and society as a whole. While The Deer Hunter may be more overt in its depiction of the war's brutality, Coming Home provides a more humane and empathetic portrayal of the soldiers and their struggles to readjust to life after combat.

These films continue to be celebrated and studied, not only for their historical significance but also for their artistic and emotional depth. Whether through the over-the-top imagery or the more humanistic approach, both The Deer Hunter and Coming Home remain essential viewing for anyone interested in the Vietnam War and its lasting impact on America and the world.