Classic Shockers: Films on the DPP Section 3 Nasties List

Explore the fascinating world of exploitation and horror cinema through some of the films on the infamous DPP Section 3 Nasties list. This list encompasses a variety of challenging, provocative, and shockingly memorable films from different eras and genres. From zombie classics to rape-revenge thrillers, these movies have left a unique mark on the history of film.

1. Exploitation Shockers

The DPP Section 3 Nasties list is home to a collection of exploitation shockers that push boundaries in terms of content and presentation. Films like 'Abducted' and 'The Aftermath' represent this category superbly. 'Abducted' is an exploitation shocker that deals with the kidnapping of schoolgirls, while 'The Aftermath' is a Mad Max knockoff.
Keywords: exploitation, shocker, Abducted, The Aftermath

2. Zombies and Horror

The DPP Section 3 Nasties list also features a significant number of zombies and horror films, starting with George A Romero's classics like 'Night of the Living Dead' and 'Dawn of the Dead.' Other notable entries in this category include 'The Headless Eyes,' Wes Craven's 'The Hills Have Eyes,' and 'Nightmare City' by Umberto Lenzi.

'Night of the Living Dead' is a seminal work in the horror genre, while 'Dawn of the Dead' is a unique take with more zombie content than killer mummies. 'The Hills Have Eyes' by Wes Craven is a cult classic, and Lenzi's 'Nightmare City' is a cult zombie shocker.

Keywords: zombies, horror, Night of the Living Dead, Dawn of the Dead, The Hills Have Eyes

3. Rape and Revenge Thrillers

Warner Bros.' DPP Section 3 list is not only about zombies and horror, but also includes shocking rape-revenge movies that have made an indelible mark in the exploitation film genre. 'Dead Kids,' 'Ronnie,' 'Demented,' and 'Rape-revenge' are some entries in this category.

'Dead Kids' is weird, beginning as a slasher film that eventually turns into a psychological horror and a revenge thriller. 'Demented' is a madness shocker with a focus on violence and psychological turmoil. 'Rape-revenge' is simply a distinct category of exploitation films that demand a careful approach.

Keywords: rape-revenge, exploitation, Demented, Rape-revenge, Dead Kids

4. Cannibal and Biker Films

In addition to horror and exploitation, these films also showcase a range of cannibal and biker films. 'Cannibal' and 'Cannibals' are classic Italian and Spanish films that combine violent content with clear themes of cannibalism. Meanwhile, 'Mad Foxes' is a European biker movie with gratuitous nudity and OTT violence.

These films include 'Cannibal' by Bruno D'Andrea, a famous Italian filmmaker known for 'Cannibal Holocaust.' 'Cannibals' by Jess Franco adds to the genre with its witchhunting and torture themes. 'Mad Foxes' is a demented Eurotrash film about psychotic bikers, with scenes that are both entertaining and disturbing.

Keywords: cannibal, biker, Cannibal, Cannibals, Mad Foxes

5. Blaxploitation and Callous Parodies

Some entries on the list also showcase unique and perhaps callous parodies of genres, such as 'Foxy Brown' and 'The New Adventures of Snow White.' 'Foxy Brown' is a classic blaxploitation film with Pam Grier, while 'The New Adventures of Snow White' is a softcore porn parody of one of cinema's most iconic characters.

Other notable entries in this category include exploitation films like 'The Evil,' 'The Prowler,' and 'Xtron.' 'The Evil' involves a haunted house tale with Richard Crenna and Joanna Pettet. 'The Prowler' is one of the better 80s slashers, thanks to Tom Savini's best work. 'Xtron' is a science-fiction shocker with British involvement.

Keywords: blaxploitation, callous parody, Foxy Brown, The Evil, The Prowler

Final Thoughts

The DPP Section 3 Nasties list is a testament to the diverse and sometimes shocking nature of films that blur the lines between exploitation and high art. From zombie classics to shocking rape-revenge thrillers, these films have left an indelible mark on the history of cinema, both for their content and their raw energy. Whether you approach these films with caution or with an open mind, they remain a fascinating and often controversial part of film history.