Understanding theDepth of Female Friendships in Classic Pre-Code Musicals

When we discuss films about friendship, the classics of movie history often tend to take a second place. However, there are several remarkable examples in the early 20th century that showcase profound and enduring friendships. In this exploration, we'll focus on two pivotal movies that are far from just musicals; they are celebrated for the deep and genuine connections between their characters.

The Heartwarming Bond in 42nd Street (1933)

The film 42nd Street, directed by George Stevens and produced by Warner Brothers, introduces us to a world where aspiring actresses are striving to make their mark on Broadway. One of the standout features of this movie is the portrayal of the friendship between the hardworking, cynical veteran chorus girls, Ginger Rogers and Una Merkel, and the naive newcomer, Ruby Keeler.

Initially, the actresses have every reason to resent Keeler as a newcomer vying for their spots. However, they not only understand her struggles but also fiercely protect her. Ginger Rogers, despite having her own ambitions, provides strong support to Keeler. This is evident when Rogers, displaying a softer side, says, "Stick with us kid! You'll come in on the tide!" This selfless act of helping someone less fortunate exemplifies the true spirit of friendship that proves superior to personal gain.

Later, when the star Bebe Daniels breaks her ankle, it's Rogers who convinces the director to give Keeler a chance. This decision doesn't just highlight Rogers' ambition; it underscores her dedication to the show and her team. It is a powerful testament to the strength of the bond between these women, rooted in mutual respect and loyalty.

The Photo-Fest of Female Friendships

The early 1930s, particularly before the Hays Code, saw a flourishing of female friendships on screen. These were not just love interests or secondary plots; they were the crux of the films, showcasing the complexity, toughness, and vulnerabilities of these relationships.

Barbara Stanwyck and Joan Blondell's strong bond as student nurses in Night Nurse sets a powerful precedent, with their fierce friendship between tough women. In Baby Face, Stanley, blind to the ruthlessness of these women, watches as Stanwyck's character ruthlessly outmaneuvers men but fiercely protects her maid, Teresa Harris. Another great example is the group of the Gold Diggers of 1933, where the dynamic between Una Merkel and Jean Harlow showcases their sisterly bond and support.

Another highlight is The Girl From Missouri, which features the awesomely hilarious Patsy Kelly alongside Jean Harlow. In The Three Wise Girls, Lilian Roth demonstrates a mentor-mentee relationship with Barbara Stanwyck's prison friend. Pre-Code women are seen in many roles, not just as damsels in distress, but as fierce, resilient, and loyal friends.

Even Joan Crawford, known for her challenging roles, played a den mother-like character in Our Blushing Brides, nurturing her roommates with protective care. These portrayals challenge the notion that women were only bystanders in the narrative, instead showing that they could be center stage not just in the spotlight but also in the background as supportive figures.

Conclusion: The Power of Female Friendships in Pre-Code Musicals

These films by Warner Brothers and others in the early 1930s offer a rich tapestry of female friendships that go beyond the mere romantic or familial bonds. Key themes such as loyalty, trust, and support are evident within the dynamic relationships depicted. These films represent the dawning of a new era for female characters in cinema, providing a ground for more complex and nuanced representations of women.

By revisiting these films and understanding the depth of these friendships, we can better appreciate the storytelling techniques and character development that these female friendships bring to the screen. These stories not only entertain but also inspire and challenge perceptions about what it means to be a good friend.