An Analysis of The Last Jedi's Flop: A Case Study in Storytelling Failures

The Last Jedi, a critical and commercial disappointment in the Star Wars film series, stands as a testament to the pitfalls that can occur when storytelling imperatives are overshadowed by broader agendas. This essay delves into the critical failures of The Last Jedi in terms of plot cohesion, character development, and thematic messages, aiming to provide a comprehensive understanding of why the film resonated poorly with audiences and critics alike.

Introduction

Theaster C is an exemplar of a story that disrespected a beloved franchise and its audience. From plotting gaffes to character arcs that stagnate and infantile humor, The Last Jedi's shortcomings are stark. This essay will scrutinize the writing and storytelling techniques that contributed to the film's failure, providing a critical analysis of its narrative and character development.

The Roots of Modern Writing: Stream of Consciousness and Plot Cohesion

Storytelling in its pure form requires more than just writing; it necessitates a deep understanding of narrative structure, coherence, and character arcs. The concept of stream of consciousness in literature is a technique that allows the writer to weave multiple aspects of a story together, creating a seamless and cohesive plot. This form of narrative ensures that each element of the story supports the overall arc and that by the end, all elements resolve satisfactorily, leaving the audience with a sense of closure or a tantalizing hint of what could come next.

Plot Gaffes and Narrative Failures: The Case of The Last Jedi

The Last Jedi's downfall lies in its disregard for coherent storytelling. The film's plot, which drags and lacks direction, is a direct result of incoherent narrative design. Instead of advancing the story logically and allowing characters to develop, the movie relies on a series of plot points fueled by unfortunate decisions, a gimmick that fails to engage the audience. This reliance on reactionary plot points undermines the narrative's ability to maintain engagement and emotional investment from the audience.

Character Development and Arcs: A Missed Opportunity

Characters in The Last Jedi have been poorly conceived and underdeveloped. Luke Skywalker's absence and eventual reintroduction as a 'Tom Hanks but-not-so-cast-away' character embody a narrative hole that should have been filled with richer, more meaningful choices. Similarly, Rey's character is burdened with an unexplained widget and a sudden acquisition of advanced abilities that lack foundational exposition, leaving the audience hanging. These elements, when properly addressed, could have provided a robust and believable character arc, setting the stage for a more engaging and emotionally resonant film.

Theoratical Obstical in the Story: The Political Message

The scenes in Canto Bight, meant to convey a political message, become superfluous when excessive time is dedicated to a detailed exploration of this subplot. The essence of this message is diluted and loses its impact when not woven seamlessly into the main narrative. Instead of adding depth and complexity to the story, these scenes detract from the central plot, leaving the audience with a disjointed and fragmented experience.

Conclusion

The Last Jedi's failure can be attributed to a failure of storytelling, rooted in the lack of coherence, character development, and a misaligned thematic message. By focusing on these storytelling principles and ensuring that each element of the narrative serves a meaningful purpose, the filmmakers could have created a more engaging and satisfying cinematic experience. The film serves as a cautionary tale, highlighting the importance of attentive storytelling in the age of blockbuster cinema.

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