Alternate Endings of Get Out: A Closer Look at Friendship and Systemic Racism

Introduction:

The film Get Out, directed by Jordan Peele, has captivated audiences with its suspenseful and thought-provoking storyline. Beyond its theatrical ending, this article explores the lesser-known alternate endings that have emerged, specifically focusing on how these endings reflect themes of friendship and systemic racism. This analysis will shed light on the complexity of each ending and how they impact the overall narrative.

The Official Alternate Ending of Get Out

In the true alternate ending of Get Out, instead of being apprehended by the police, Chris Washington is saved by his friend Rod Williams who arrives in a TSA vehicle just in time to rescue him. This departure from the original conclusion shifts the film's tone from a darker, more ominous atmosphere to a more uplifting and humorous resolution. The camaraderie between Chris and Rod is emphasized, highlighting the importance of friendship in overcoming adversity.

Some viewers appreciated the lighter note brought by this ending, viewing it as a celebratory tone that reinforces the themes of support and solidarity. However, others felt that it undermined the film's message of systemic racism and the dangerous reality of the Armitage family's plans. This alternate ending, while providing a different perspective on the film's conclusion, maintains the essence of Peele's critique of racial tensions and discrimination.

An Unofficial Alternate Ending

Another alternate ending involves Chris being arrested by the police while trying to strangle Rose Armitage. In this version, Rod finds Chris in jail and questions him about the Armitage family's operations. However, Chris insists that he has stopped the Armitage family and everything is fine. This ending adds a layer of ambiguity to the story, leaving room for interpretation about the impact of Chris's actions.

This unofficial ending suggests that Chris's actions may have been less effective than initially portrayed. It raises questions about the consequences of Chris's escapades and the true extent to which the Armitage family's operations were halted. This ending also adds a note of disillusionment, as the idea of a happy resolution is further compromised.

Themes of Friendship and Systemic Racism

Both the official and unofficial alternate endings contribute to the discussion about friendship and systemic racism in Get Out. The official ending emphasizes the strength of human relationships and the power of camaraderie, offering a bittersweet alternative to the original tone. The unofficial ending, on the other hand, provides a more complex narrative, reflecting the ongoing struggle against systemic racism and the uncertain outcomes of such battles.

The film's exploration of these themes extends beyond the ending, delving into Chris's journey of self-discovery and the oppressive forces he faces. The alternate endings serve as a reminder of the nuanced nature of social and racial issues, highlighting the need for continued vigilance and solidarity in addressing these challenges.

Conclusion

The alternate endings of Get Out offer a rich exploration of the film's themes, particularly friendship and systemic racism. These endings provide alternative perspectives that enhance the overall narrative, offering different answers to the questions posed by the original conclusion. By examining these endings, we gain a deeper understanding of the film's critique of racial tensions and the enduring importance of solidarity in the face of systemic oppression.