Alfred Hitchcock's Best Films: A Critic's Perspective

Alfred Hitchcock, often regarded as the master of suspense, is celebrated for his numerous classic films. Criticisms and analyses of his work reveal passionate debates over which film is his true masterpiece. Various critics and audiences argue for different films in this illustrious director’s body of work.

Vertigo: Considered by Critics

The seventh of the Sight Sound critics' polls, published in 2012, marked a significant shift in the perception of Hitchcock's best work. For the first time, a film other than Citizen Kane was voted the best film ever made. That film was Vertigo (1958).

My recollection of Hitchcock criticism is that Vertigo has indeed stood out as his best film, and I can’t argue with that. It is a profound character study, filled with elements of mystery that captivate the audience.

Artistic Merit: Vertigo

James Stewart delivers a stellar performance in the lead role, while Kim Novak’s dual roles are executed flawlessly. The cinematography is nothing short of exceptional, with notable dolly-zoom shots and Bernard Herrmann's score enhancing the suspenseful and thrilling scenes.

The memorable hotel scene: One of the most gripping scenes in Vertigo is the one in the hotel room where Judy Barton is transformed into a replica of the elusive Madeleine. This scene masterfully combines breathtaking photography, an awe-inspiring score, and Scottie Ferguson's mental state, all coalescing into an exhilarating experience for the viewer.

Other Allegedly Classic Works

While Vertigo is a sublime achievement, other Hitchcock films are also considered remarkable. Some critics and audiences argue that North by Northwest (1959) is Hitchcock’s most favorite film. My personal preference fluctuates, as I’ve shifted my favorite from Vertigo to Rear Window to Psycho, and now I stand with you in favor of North by Northwest.

Art and influence: In the modern era, Rear Window (1954), Vertigo, and The Man Who Knew Too Much (1956) stand out as some of Hitchcock’s greatest works. Rear Window and Vertigo exemplify Hitchcock's keen ability to create narratives that combine psychological and visual suspense, while The Man Who Knew Too Much introduced innovative uses of sound and music to advance the plot.

Psycho: Pioneering Thriller

Psycho (1960) is another remarkable film in Hitchcock’s oeuvre. Its innovative approach to tension and the embrace of terror have made it a seminal influence on the horror genre, inspiring countless filmmakers.

Fluctuating Preferences: My Changing Favorite Hitch

My fondness for Hitchcock films fluctuates over time. For instance, I’ve gone from preferring Vertigo to Rear Window, Psycho, Strangers on a Train (1951), and now I’m advocating for North by Northwest. This shift exemplifies the depth and complexity of Hitchcock’s works. Next year, I might favor Vertigo or North by Northwest over the others, illustrating the enduring character of his films.

In conclusion, while Vertigo is a standout, other Hitchcock films like North by Northwest and Rear Window are also celebrated for their distinct contributions to the art of filmmaking. Each of these films offers a unique viewing experience that continues to captivate audiences and inspire cinematic innovation.