A Comparative Analysis of 'The Thing': 1951, 1982, and 2011

The iconic horror and science fiction film The Thing has captivated audiences with its intricate plot and chilling atmosphere across multiple versions. From the 1951 RKO version directed by Christian Nyby or Howard Hawks (the authorship remains debated) to the groundbreaking 1982 remake by John Carpenter, and the recent 2011 reimagining, each iteration brings its unique flavor and true enthusiasts of the franchise are often divided in their preferences.

1951 Version: A Masterpiece of Tension and Atmosphere

The 1951 version of The Thing, which is still debated in terms of directorship, remains a revered classic among fans. This film is celebrated for its tight dialogue and its atmospheric close-quarters filmmaking. It is a testament to the power of a well-crafted script and expertly handled tension, emphasizing the claustrophobic setting and the relentless paranoia that defines the film's essence. Although some purists might argue that the 2011 version, directed by Kim Manners and remade by John Carpenter's daughter the same year, is a hit, I believe it falls slightly short in capturing the original film's subtlety and depth.

John Carpenter's 1982 Remake: A Masterful Remake with Small Details

John Carpenter's 1982 remake, which is a direct adaptation of the short story "Who Goes There" by John W. Campbell, is widely regarded as a masterpiece. It stands out for its gripping plot and the impressive work done by Rob Bottin on the special effects for the "Things." Carpenter's version excels in the small, seemingly insignificant details that lead to chilling moments of horror. For example, the inclusion of an axe in one of the walls of the Norwegian camp is a brilliant touch that ties back to earlier events, giving the audience a deeper understanding of the story's narrative.

The 1982 film also excels in handling the "enemy within" theme of paranoia. The moment when Doc Copper uses a defibrillator only to discover it is a hungry maw biting his hands off is a standout scene that exemplifies the visual horror and psychological tension that defines the film. Additionally, the ambiguous ending featuring the last two survivors, either of which could be infected, sharing a bottle of whisky by the fires of their base, adds an incredible layer of uncertainty and dread.

2011 Version: A Prequel and Interlude

The 2011 version of The Thing, directed by Dick Morrison and starring Kris Kristofferson, James Caan, and Jason Momoa, is often viewed as a prequel to Carpenter's 1982 film. While it is well done and achieves its goal of expanding on the backstory and the mythology of the alien invaders, it does not surpass the original quality and impact of the 1982 and 1951 versions. The film does a commendable job of bringing in new elements and exploring the origins of the alien's motivations and actions.

Among its strengths is the exploration of how the alien ended up running to the American base chased by a helicopter and the story behind the charred buildings and frozen corpses. These elements provide a deeper understanding of the film's universe and the severe consequences of the alien's invasion. However, the inclusion of supernatural elements like supernatural Nordic shamans may not sit well with all viewers, who prefer a cleaner, more grounded suspense.

Ultimately, the 2011 version works well as a prequel and interlude, providing context and additional richness to the mythology. However, it may not resonate with those who are deeply committed to the original narrative and atmosphere established by the 1951 and 1982 versions.

Conclusion and Future Possibilities

As a long-time fan of the franchise, I find the 1951 version to be a profound and atmospheric masterpiece. It is a tight, well-written film that brilliantly depicts the claustrophobic setting and deepens the sense of paranoia that defines the experience. The 1951 film also benefits from the inclusion of 3–5 minutes of deleted scenes, which purportedly show the scientists hanging upside down from the rafters at a gruesome event, enhancing the overall tension and unsettling atmosphere.

I eagerly await the release of the 1951 version on Blu-ray, which could bring it to a new generation of viewers and help secure its place as a timeless classic. The film's enduring impact on the science fiction and horror genres is undeniable, and its strengths lie in its ability to create a tense, atmospheric environment that captivates the audience from beginning to end.

In summary, each version of The Thing offers its own unique flavor and appeal, with the 1951, 1982, and 2011 films showcasing different aspects of the franchise's rich mythology and storytelling. The choices between them often come down to personal preference and the specific elements of the story one wants to explore.